thoughts | goings on
“People who consume a steady diet of bucket lists and viral videos rush from one restaurant to another so they post about it, to prove they were there. They go to places solely so they can put a photo of the viral egg sandwich or rainbow bagel on Instagram. Whether the sandwich or bagel tastes good is irrelevant; the point is to prove they were there.”
Exerpt, Pete Wells, NYT Critics Notebook, August 7, 2024
https://www.nytimes.com/2024/08/06/dining/pete-wells-how-restaurants-have-changed.html
“All of these considerations confront us with the very central question of borders. Not only between one country and another, or between one continent and another, but above all the borders within ourselves. Between ourselves as egoistic individuals and ourselves as members of a community in which we depend on one another…”
( I completed the picture, “Seated Woman with Cat”, and wrote the descriptive narrative almost a year before stumbling across this passage but it very well captures the sentiment of the picture)
“Why should someone who’s doing just fine want to know what’s happening in the blind spot of his conciousness?”
”Last fall, when I visited Princeton for a reading, I met a professor who proudly mentioned that she had urged one of Angela Merkel's advisors to accept Syrian refugees. But her advice was not that Germany should accept the refugees instead of rejecting them; rather, it was that if Germany had to accept refugees at all, then at least it should accept Syrian refugees instead of others who were less well educated and sophisticated. And they had to act fast before other countries beat them to the punch. She told Merkel's advisor that Syrians were elite as far as refugees were concerned; they'd be the easiest to integrate and the quickest to pay back into the system. That way Germany wouldn't have to accept those poor suckers, you know, the ones from the "shit-holes"-*”
* Mali, Niger, Haiti and other “shit-holes”, as a senior American statesman referred to them a few years ago.
Exerpts, Jenny Erpenbeck, 2018 Puterbaugh Keynote
Recent News
• Neustadt Nineteen 86 selected for the 15th Annual Figurative Art Exhibition at The Lore Degenstein Gallery
Susquehanna University, Selinsgrove, PA; Saturday October 26–Sunday, December 8, 2024
New Mexico Arts // Department of Cultural Affairs Southwest Artist Series Purchase Initiative (Prospectus #276); Body of Work selected for the New Mexico Art in Public Places Program.
The Art in Public Places Program (AIPP) was established in 1986 when the NM State Legislature passed, and the Governor signed into law the Art in Public Places Act (Sections 13-4A-1 through 13-4A-11 NMSA). This legislation declares it “a policy of the State that a portion of appropriations for capital expenditure be set aside for the acquisition or commissioning of works of art to be used in, upon or around public buildings”.
Since the program’s inception, more than 3,000 artworks have been placed at public buildings and sites across all 33 New Mexico counties. Our goal as the PUBLIC ART – AIPP program is to enrich New Mexico communities with innovative and dynamic PUBLIC ART – AIPP that reflects the diversity of arts found in New Mexico, the Southwest, and the Nation.
Artwork is acquired in collaboration with the owner agency (public building/site) utilizing AIPP funds and following the NM Administrative Code (NMAC).
sketches, etc.






































































